Comerford’s signature sharp realism infuses this drama about Reefer, an ex-IRA man who picks up hitch-hiker Teresa, a pregnant woman trying to overcome a drug addiction. They head to the trawler where he lives with friends Spider and Badger, that operates between Galway and the Aran Islands. The makeshift family are forced to turn to crime to make a living.

Eat the Document is a rarely exhibited documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back [sic] chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. According to Howard Sounes's biography, "Down the Highway: The Life of Bob Dylan", after his motorbike accident in July 1966, Dylan viewed a cut of the material edited by Pennebaker and Bob Neuwirth and thought it was too similar to Dont Look Back. 　　Dylan decided to re-edit the film himself, assisted by longtime associate Howard Alk. Dylan however. Pennebaker stated: "It's not something you learn parking cars in a garage. You gotta know some of the rules and he didn't know any of the rules." It can be assumed Dylan knew some of the rules (he had, after all, seen films) and that some of the unconventional editing choices were deliberate. Dylan and Alk's cut was eventually shown to ABC television, who promptly rejected it as incomprehensible to a mainstream audience.[1] 　　The film includes some powerful live performances of Dylan's songs of the period. It was never given a theatrical release or made commercially available on video, but unauthorized bootleg copies circulate among Dylan collectors. Also circulating in various bootleg formats is a long outtake featuring a possibly alcohol- or drug-impaired Dylan in a limousine with John Lennon. As Dylan shows signs of fatigue, Lennon urges him to get a grip on himself: "Do you suffer from sore eyes, groovy forehead, or curly hair? Take Zimdon!...Come come, boy, it's only a film. Pull yourself together."[2] Todd Haynes's film I'm Not There features a dramatisation of this conversation, with Cate Blanchett as Bob Dylan. 　　Highlights of the film include an interview with the Manchester Free Trade Hall concert-goer who shouted "Judas!" during the second, electric half of the set; the performances with the Hawks; the scenes of Dylan and Robertson in hotel rooms throughout England playing otherwise-unreleased songs; and a piano duet with Johnny Cash. 　　Some of the concert footage shot for Eat the Document - including the "Judas" incident in Manchester's Free Trade Hall - was used in Martin Scorsese's Dylan documentary, No Direction Home.

Eat the Document is a rarely exhibited documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back [sic] chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. According to Howard Sounes's biography, "Down the Highway: The Life of Bob Dylan", after his motorbike accident in July 1966, Dylan viewed a cut of the material edited by Pennebaker and Bob Neuwirth and thought it was too similar to Dont Look Back. 　　Dylan decided to re-edit the film himself, assisted by longtime associate Howard Alk. Dylan however. Pennebaker stated: "It's not something you learn parking cars in a garage. You gotta know some of the rules and he didn't know any of the rules." It can be assumed Dylan knew some of the rules (he had, after all, seen films) and that some of the unconventional editing choices were deliberate. Dylan and Alk's cut was eventually shown to ABC television, who promptly rejected it as incomprehensible to a mainstream audience.[1] 　　The film includes some powerful live performances of Dylan's songs of the period. It was never given a theatrical release or made commercially available on video, but unauthorized bootleg copies circulate among Dylan collectors. Also circulating in various bootleg formats is a long outtake featuring a possibly alcohol- or drug-impaired Dylan in a limousine with John Lennon. As Dylan shows signs of fatigue, Lennon urges him to get a grip on himself: "Do you suffer from sore eyes, groovy forehead, or curly hair? Take Zimdon!...Come come, boy, it's only a film. Pull yourself together."[2] Todd Haynes's film I'm Not There features a dramatisation of this conversation, with Cate Blanchett as Bob Dylan. 　　Highlights of the film include an interview with the Manchester Free Trade Hall concert-goer who shouted "Judas!" during the second, electric half of the set; the performances with the Hawks; the scenes of Dylan and Robertson in hotel rooms throughout England playing otherwise-unreleased songs; and a piano duet with Johnny Cash. 　　Some of the concert footage shot for Eat the Document - including the "Judas" incident in Manchester's Free Trade Hall - was used in Martin Scorsese's Dylan documentary, No Direction Home.

An elderly artist invites a model around to his house for a sitting. But is painting the only thing on his mind?

The story of the residents of a tenement house on Złota Street in Warsaw from 1945 to 1980.

Two old friends reunite on the hottest day of summer in NYC.

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An actress is kidnapped and tortured.

In 1977 France, the Ministry of the Future chooses two “normal,” white, middle-class citizens, Claudine and Jean-Michel, for a national experiment. They will be monitored and displayed on television for six months in a model apartment outfitted with state-of-the-art products and nonstop surveillance—the template for “a new city for the new man".

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